Saturday, June 28, 2008

Novermber Rain Malayam Movie Online



Debutante director Vinu Joseph's November Rain is a film that is well-made, but may not prove to be crowd puller. The reasons are diverse. Firstly the film, though well made, doesn't provide us with anything new, i.e., nothing is there which makes the film different from others in the same genre. Secondly, the lead player Arun is someone who hasn't yet proved himself at the box office, and Kerala is a State where people still do not accept new stars that easily. Thirdly the songs don't have in them the power to make the film a hit on their merit.

November Rain tells the story of a young man named Satyanarayanan, the son of honest and daring police officer Krishnamoorthy, who is heading the anti-goonda squad in the city and is bent on eliminating the breed entirely. Satya is an easy going kind of youth who has passed the plus two exams after repeated attempts. He is waiting to be admitted to college and passes his time practising boxing, eating and lazing about.

After he gets admitted to college Satya becomes part of a group that has some indirect connections with some of the henchmen of Majid Ali, a noted criminal and a reckoning force in the city's dreaded underworld. Satya, who appears initially as a silly imbecile, later turns out to be a tough guy and gradually begins to head his gang in the college. Then one day, Satya and his gang clash with goondas brought in by Prabhakaran, the college union chairman. In the course of the fight one of the goondas is stabbed by Satya. This leads to many problems.

Though the victim doesn't die, Satya and gang are forced to go into hiding and talks for compromise begin. The parents of others in Satya's gang come forward to pay money and go in for a compromise. But Krishnamoorthy is a man of principles and he holds that if Satya has done something wrong, he must be punished. Satya somehow comes out of the mess along with his friends. But this marks the beginning of a rift between the father and the son. Satya gradually drifts into the ranks of the underworld. What happens consequently leads to a very touching climax.

For the People fame Arun, who dons the role of Satyanarayanan, does a good job, but like most other actors in Malayalam Cinema, he too is getting stereotyped. It seems that after the earlier Quotation and now November Rain, we can expect only this kind of action films from him. Laloo Aalex as Krishnamoorthy is his usual self. Balaji is good as Majid Ali. Sreejith Ravi as Ali's henchman is also good, but at some junctures he and his character seem to be unnecessarily loud. Geetha as Satya's mother Indira is OK.

Nimisha who plays Satya's beloved Anu doesn't have any kind of appeal. Sajitha Beti as Satya's sister Archana alias Achchu is OK. Niyaz as Pappu and Aniyappan as Sajeevan (both friends and aides of Satya) and Unni Shivapal as Prabhakaran are good. The others in the cast don't make much of an impression. Of the songs, "Raavin nenjil theeram thedum ..." gels with the theme and is shot very well. The other songs are OK, but not outstanding. Cinematography, editing and art-work are in sync with the theme.

November Rain is on the whole well-made and the performances of the main actors are satisfactory, but the film doesn't offer anything new. It moves along predictable lines and we have seen many such stories earlier on the screen. One wonders why our filmwallahs are obsessed with the name Satya for characters that drift into the underbelly of organized crime for various reasons. [Remember the Suresh Krishna-directed Tamil film Satya (1988) starring Kamalhassan, and the Ram Gopal Varma-directed Hindi film Satya (1998) starring Chakravarthy?]

The script of November Rain has been worked out well. The inclusion of the hooded figures used very symbolically to refer to changes in Satya's life and his fate is good, though it seems more like a theatrical device than a cinematic innovation, and doesn't have much of an impact.

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Malabar Wedding Malayalam Movie Online



Malabar Wedding has all the exuberance, vigor and cheer of a nuptial event. Upbeat, unpredictable and real lighthearted Malabar Wedding is a modest film that spells change in a season of lackadaisical endeavors.

Manukuttan (Indrajith) is the ring leader of a prankster band that specializes in Sora Kalyanam, a unique Malabar tradition before an actual wedding that makes mincemeat of the prospective groom through playful antics and good humored jaunts. Manu knows hence, that its payback time for his former victims when he gets engaged to Smitha (Gopika) and the countdown to D-Day begins. Smitha has been ferociously battling with a few demons from her past and the Sora Kalyanam ends up having more dire consequences than the droll gang anticipates.

The director duo Rajesh - Faisal have the reins held tight with this comic caper that never really runs out of steam. There is very little humor in Malabar Wedding that appears contrived or forced. The hilarity associated with the film has a remarkable simplicity writ all over it, that's reminiscent of some of the best comedies of the nineties. It's a comedy, not in the revolting, sugary, sickening sense that we have been fast getting used to. It's neat, smart and credits its audience with enough intelligence to play along and have a few satisfying laughs that are totally gratifying.

Malabar Wedding deftly marks the indisputable arrival of Indrajith the actor. He makes his striking presence impressively felt and moves ahead in leaps and bounds with a refreshing performance. Surprisingly he seems to be on familiar ground since his comic timing has been a matter of much speculation. Equally adept in the witty and poignant scenes, this is one his premium performances till date. Gopika is a true delight to watch; she looks drop dead dazzling and lends an intense credibility to her character.
She proves her fine facility yet again, with an impeccable performance in a role that is quite vital though not in any way truly demanding of her acting prowess.

Malabar Wedding banks heavily on a host of actors who unleash a comic riot on screen. Backed by the incredible talents of rather a huge range of actors as Suraj Venjarammood, Mamukkoya, Bijukuttan, Maniyan Pillai Raju, Anoop Chnadran and Janardhanan, this is probably one of the funniest casts in a Malayalam movie in recent times.

The central backdrop of Malabar Wedding is reason enough for celebration in that it is sweet, likeable and consistently engaging. And it works exceedingly well even with several tale tracks simultaneously at work. There's indeed a cleverness to this taut script by Ramesh Madhav that neatly holds these tales together and yet efficiently manages to flit across them with a sharp expertise.

Malabar Wedding is an appealing film, if not exactly revolutionary. A delightful romantic comedy made with the right doses of wit and style, this is a charming film that actually deserves to win.

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Khusboo Hindi Movie Online



Cast: Rishi Rehan, Avantika, Ninad Kamat, Himani Shivpuri, Prem Chopra, Raj Babbar, Chunky Pandey, Shakti Kapoor (Guest appearance); Director: Rajesh Ram Singh;

2008 seems to be a year for fresh faces in Bollywood. Even the well-known producer Pahlaj Nihalani tried introducing two new faces through his latest flick Khusboo but the garbage, the film showcases, fails in hinting at the fragrance it has been intended to spread.

Raghunathan Iyer (Rishi Rehan) is a project manager at a multinational company. Being very with his job profile, his boss (Raj Babbar) wants to send him to New York but due to some emergency at a project in Chandigar he has forget about New York and move for Chandigar. Raghu meets Pinky (Avantika) in Chandigar and despite having no faith in love he falls for Pinky (just like all the logically foolish love stories).

The representative of modernism in Chandigar, Pinky slips straight to Raghu’s bed at their third meeting and after two months she returns only to say that she is pregnant with Raghu’s child. She asks Raghu to meet her parents once so that she can later on easily tell them the reality about the child. Raghu marries Pinky immediately after meeting her parents. But they keep their marriage a secret. When Pinky’s parents come to know about their marriage, they, like typical Punjabi, come to Raghu’s office to kill him. Being the only daughter in the family, Pinky easily wins the heart of her five brothers. But her father, subadar Arminder Singh (Prem Chopra) forsakes the relationship with her. Afterwards, the story witnesses a lot of turns and twists and reaches the happy ending (as it’s very usual).

If films are always prone to have one or the other fault, Khusboo is the uncrowned king among flawed entertainers. It’s really sad that despite having keen eyes to find a better moment, the film doesn’t offer anything praiseworthy. Including direction and first appearance of Rishi and Avantika, all are very weak. It’s quite unfortunate that all the talents, including the lyrics by Javed Akhtar, music by Adnan Sami and Bappi Lahiri and well known voices of established singers, are simply wasted just for the sake of the film. The film seems more an unsolved puzzle than an entertainer. The reason behind the modern Pinky, willingly sleeping with an almost unknown guy and clad in modern outfits, declining to deport for New York just for the sake of her desh, is really beyond any psychological understanding. It looks really bakwas to see Pinky thinking about giving birth to her child in this nation only and more than that, her intention of tagging her child as Shikh appears more intended and unfortunate fallacy. If she can ignore cast at the time of marrying Raghu, how come she insists on the same issue during the birth of her child!

The film is completely an unsolved mystery with so many questions like this. It creates question on the director Rajesh Ram and more than that Khusboo is a big question mark on the career of Pahlaj Nihalani.

Enriched with Punjabi culture, the film looks more a Punjabi flick than Hindi one. Being so inclined to Punjabi traditions, the film should not be able to pull the Hindi audience. Albeit, watching the film is completely dependant on the audience, managing the fragrance in Khusboo will surely be an impossible task for them.


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Journey to the Center of the Earth English Movie Review



Rated: PG
Runtime: 89 mins
Theatrical Release: Jul 11, 2008 Wide

Synopsis:

An exciting adventure based on the classic Jules Verne novel “Journey to the Center of the Earth,” Journey to the Center of the Earth 3D stars Brendan Fraser (Crash, The Mummy) as a science professor whose untraditional hypotheses have made him the laughing stock of the academic community. But on an expedition in Iceland, he and his nephew stumble upon a major discovery that launches them on a thrilling journey deep beneath the Earth’s surface, where they travel through never-before-seen worlds and encounter a variety of unusual creatures. Journey to the Center of the Earth 3D is directed by Academy Award-winning visual effects veteran Eric Brevig (Total Recall, Pearl Harbor) from a screenplay by Michael Weiss and Jennifer Flackett & Mark Levin. The film is a co-venture between New Line Cinema and Walden Media. Journey to the Center of the Earth 3D is scheduled for a July 11, 2008 release. --© New Line Cinema

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Friday, June 27, 2008

Chicano Blood English Movie Online



SNapshot

After turning his life around a reformed gang member is called back into a world of kidnapping and murder to avenge the death of his wife who was killed by a brutal Russian gang trying to control the local drug trade.

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Wednesday, June 25, 2008

Kalidasu Telugu Movie Online




Sushant, who hails from the family of film artists like Akkineni Nageswara Rao, Nagarjuna and Sumanth, has a passion towards acting. He is also the nephew (sister's son) of Nagarjuna like Sumanth. In order to promote him as hero, his mother A Naga Suseela in association with another producer Chintalapudi Srinivasa Rao to produce Kalidasu. Annapurna Studios came forward to present the film, though the film is being made under the banner of Sri Nag Corporation. Tamanna, who bagged a hit like Happy Days recently, played the female lead. The story for the film was penned by the producer itself. Though the first half of the film is routine, the director is able to show some novelty with twists and mind game in the second half.

Kalidasu (Sushant) is the son of a sincere police officer (Nagababu), who gets killed in the hands of a factionist (GV). However, Kalidasu kills that factionist and escapes from Rayalaseema and reaches Guntur.

Kanakadurga (Jayasudha) brings him up along with her son Dev (Kumar). Kalidasu helps Dev to continue his studies in Hyderabad, by turning himself a car-lifter. Baba (Chalapati Rao) buys such lifted cars. His son Basha (Sunil) also becomes his good friend. Once, Kalidasu lifts a car and finds a girl hiding in it. The girl says that her name is Mirchi (Tamanna) and pretends that she is a lunatic. But Kalidasu does not believe that she is lunatic and suspects her that she is pretending. Once some goons led by Pratap and Ajay (Vinodkumar and Ajay) reach Guntur and take away Mirchi after killing Basha. Kalidasu goes to Hyderabad after noticing Dev's photo with Mirchi in her mobile phone. However, after going to the college, the principal (Tanikella Bharani) reveals that Dev is killed by the goons led by a political leader (Rajan P Dev) and his henchmen Pratap and Ajay to save the college maintained by Archana @ Mirchi. Kalidasu decides to take revenge against the killers of Basha and Dev. Then Kalidasu starts his mind game and plays a trick, which makes Pratap to kill his own brothers. Later, Ajay kills his brother-in-law Pratap. In the climax, Kalidasu's trick again makes Ajay meet his own death. The film ends on a happy note.

PLUS: Through out the film, the director has maintained good tempo and did not lose grip on the story. Though it is the debut film for the hero, Sushant showed excellent ease in dances and action scenes. Tamanna is gorgeous in the film. Her outfits, costumes make her appear very romantic. She has not much scope to perform but for a couple of scenes in the first half. Another major plus point is the performance by the villains, Vinod Kumar and Ajay. Songs by Chakri are just average. Performance by Jayasudha and Tanikella Bharani are routine, while comedy by Sunil and Ravibabu is hilarious.

MINUS: Debutant hero Sushant is not glamorous and appeared like Taraka Ratna in some scenes. If he is serious to continue in the profession, he needs to improve his glamour, by getting his teeth cut with cosmetic dental surgery kind of thing. Once he could elevate his glamour, he has all other qualities to get a mass hero image. Though the director has tried his best to run the film with good tempo, he made minute mistakes here and there. Like students keeping quiet while the goons stabbing the hero and their failure to realize their mistakes. There is a lot of wire work during the action scenes.

REMARKS: Despite less glamour, the debutant hero, Sushant, is able to gain mass hero image. There are several elements in the film like sentiment, glamour, action and love scenes in the film to cater to the needs of all classes of audiences. The film does not appear like a debutant's film and the production values of Sri Nag Corporation are adequate.

Cast: Sushant, Tamanna, Vinodkumar, Rajan P Dev, Ajay, Sunil, Kumar, Santosh Pawan, Nagababu, GV, Jayasudha, Hema, Surekhavani, Shakeela and others.

Credits: Dialogues – Rajasimha, Camera – Akhilan, Music – Chakri, Lyrics – Chandrabose, Action – Kanal Kannan, Presents – Annapurna Studios, Producers – Chintalapudi Srinivasa Rao and A Naga Suseela, Concept and direction – G Ravicharan Reddy.

Banner : Sri Nag Corporation.


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Pandurangadu Telugu Movie Online



Making a periodical / mythological / historical film, which is hitherto not seen by the audiences, is easy and the audiences would take it straight as the story is moulded on the celluloid for the first time. Unless the people, who watched are thorough on the story and history, they will take the story for granted. This is proved right in case of Annamayya and Sriramadasu and they became blockbusters. Though Sri Manjunatha was also brought out by the same team, it somehow failed at Box Office to certain extent. However, while bringing out a story, which is already seen by the audiences and stood as an all-time classic, the entire unit should be very cautious because people would start comparing each scene. JK Bharavi, instead of bringing out the film, on the same lines made lot of changes in the subject. But for the last 25 minutes of the film, the remaining part is boring due to excessive show of romantic scenes.

Pundareeka (Balakrishna) is the son of a great devotee (Vishwanath) of Lord Krishna. The entire family including Pundareeka's mother, sister, brother-in-law, and paternal uncle are all devotees. However, Pundareeka feels like emulating Lord Krishna, who resorts typical thefts, moving with girls and enjoying life. He takes the life very casually and just enjoys the life. He doesn't want to marry as he treats girls like dolls. On the other hand, Lakshmi (Sneha) is also a great devotee of Lord Krishna and is the foster daughter of a priest (Balayya). In fact, she is an orphan but is brought up by him. Once, Lord Krishna (Balakrishna) appears in her dream and suggests that Pundareeka would be her husband.

When Pundareeka refuses the alliance on her father's word, Lakshmi settles in front of his house and continues to pray Lord Krishna to change the mind of Pundareeka. Pundareeka used to spend his evenings with Amrita (Tabu), a prostitute, who stays in the neighbouring village. One fine morning, the Lord Krishna changes his attire and convinces Pundareeka to marry Lakshmi. However, on the first night, Pundareeka takes away the jewellery from his wife and gifts them to Amrita. Later, Lakshmi prays the Lord again to change her husband's mind, and Krishna comes to her rescue again and unites Pundareeka with Lakshmi. Realising that Pundareeka is slipping from their hands, Amrita's mother (Y Vijaya) hatches a plan and swindles his entire property after some medication. Due to the effect of medication, Pundareeka drives away all his family members out of home. Then Amrita's mother necks out Pundareeka from that house.

Pundareeka challenges that he would bring another beautiful girl than Amrita and goes in search of her. In the process, he meets three beautiful girls in the ashram of Mrikanda. Though they reveal that they are the personifications of great rivers Ganga, Yamuna and Saraswati, Pundareeka tries to grab them out of lust. When they go inside Mrikanda's ashram, Pundareeka goes inside and attempts to kick the sage. As a result, he loses both his legs. After realising the mistake, Pundareeka pleads for a remedy. Mrikanda says Pundareeka can get back his legs only after serving his parents. Pundareeka then goes in search of his parents and finds them. He gets back his legs after they pardon his mistakes. While serving his parents Lord Krishna visits his home but Pundareeka tells him to stay there till his parents go to sleep. Lord Krishna turns an idol and stays there.

At this juncture, Pundareeka learns that Lakshmi is on death bed and goes to see her. Learning that his wife is not allowed inside the temple, Pundareeka prays the Lord to give the darshan and the latter appears to Lakshmi. After watching the God, Lakshmi passes away. On request from all his eight wives, Lord Krishna agrees to give life to Lakshmi, on a condition that the request should also come from Pundareeka. But, Pundareeka, instead of requesting to give his wife back, appeals to take him to his wife and Pundareeka also joins Lord Krishna.

PLUS: No doubt, Balakrishna gave an excellent performance. However, neither the cinematographer, nor the director nor the make-up man could show him as a young man. The elderliness could be easily seen in Balakrishna. He failed to appear like a young man. Moreover, the overdose of romanticism spoiled the spirit of the movie. Sneha is okay in the role of Lakshmi. She sports the girl next door role as usual. She too looks romantic in a song. Tabu has played the role of a prostitute. She has really done a fantastic job in her character and proved a perfect fit. Though she appears very romantic in the film, her character ought to be like that and there is a point to argue that it is vulgar. Vishwanath, Balayya and others have done justice to their characters.

MINUS: A senior director like Raghavendra Rao has taken the second role of Balakrishna very casually. Though Lord Krishna role is also played by Balakrishna, the characterisation is very poor. The entire troupe, Lord Krishna and his eight wives characters are very poorly moulded on the screen. The audience would get a feel of watching a stage play and the dialogues are very cinematic and dramatised way. LB Sriram's character as Narada is atrocious. Words like Anta Scene Ledu in general films are translated like Manaku Anta Sannivesam Ledu are in poor taste. JK Bharavi did not work whole-heartedly for the film. The comedy track picturised on Sunil and Brahmanandam failed to evoke laughter.

REMARKS: The original Panduranga Mahatmyam remained a classic due to excellent characterisation of all the roles. The original film, which was a devotional film in nature, had only 20 per cent romance and 80 per cent devotion. Moreover, the film was made when the late NTR was in prime age and he appeared very romantic in the film and the glow of devotion could be clearly noticed in the latter part of the film. But in this film the romance percentage is 70 and the devotional percentage reduced to 30. The extension of the film with the Lord Krishna waiting for a request from Pundareeka spoiled the mood. As is said earlier, but for the last 20-25 minutes, the film has nothing much to talk about.

Cast: Balakrishna, Sneha, Tabu, K Vishwanath, Mohan Babu (special appearance), Balayya, Prasad Babu, Sameer, Sunil, Dharmavarapu Subrahmanyam, Ali, Anant, LB Sriram, Jr Relangi, Brahmanandam, Jenny, Siva Parvati, Sana, Archana (Veda), Suhasini, Meghana Naidu, Y Vijaya, Apoorva, Sireesha, Bhargavi, Neethu, Baby Kavya and others

Credits: Story and dialogues – JK Bharavi, Camera – Jayaram, Editing – Srikara Prasad, Music – MM Keevarani, Producer – K Krishnamohana Rao, Screenplay and direction – K Raghavendra Rao.

Banner: RK Associates

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Gamyam Telugu Movie Online



Star cast: Sarvanand, Kamalinee Mukherji, Allari Naresh, Ms. Narayana, Giri Babu and others
Director: Radha Krishna
Music: R. Anil and ES Murthy



Story

The film Gamyam comes as a ray of hope that Tollywood Industry is going in the positive way and will live to an extent in the year 2008. This year till date, we have been witnessing a series off flops from big stars like Balakrishna to Nagarjuna to small stars like Gopichand and Raja. Except for Krishna which was an average flick, all the other films were huge flops at the box office.

Gamyam the movie starts wit the story of a rich Guy Abhiram (Sarvanand). He is the younger sibling in the house and has grown up as a spoilt brat in the house. He is a son of a rich industrialist who has innumerable Riches and properties. As is the case with many rich people, Abhiram has also a bug in his mind that poor and middle classed people are ill mannered and are bad natured.
So Abhiram never mingles with people who are not up to his mark in the riches. At this time, he comes across a beautiful girl named Janaki (Kamalinee) . Janaki is an orphan who comes up in life the hard way. She is a doctor by profession and she serves the poor and the less privileged.
The two become close and mingle closely. However, Abhiram doesn’t like Janaki’s modest background and her social services. In the same way Janaki also hates Abhiram’s attitude of hating the poor and loving the richer class.

Janaki who becomes vexed with his attitude leaves him and goes away. Abhiram is now desperately in look out for Janaki.
Then enter the character named Seenu (Allari Naresh) who is a petty thief. Abhiram due to some incidents comes in contact with Seenu and with his help tries to trace out Janaki. The two search for Janaki on Seenu’s bike.
Abhiram finally manages to trace Janaki at a small village where she is serving the poor.

It is here that Abhiram learns the true meaning of life, while his long journey with Seenu makes him understand the lessons of human nature and also the realities inside the lives of the rich and the poor.
Finally, Abhiram changes in the climax and all ends in a happy note.

Performance

Sarvanand gives a good account of himself as a rich spoilt brat. It can be concluded that this guy has turned into a serious hero and is improving day by day. This film will definitely give a boost to his career and will also offer good film roles as such, in his coming future.

Allari Naresh finally comes up with an outstanding performance. It can be said that, he is the main meaning of the movie. His character of Seenu is well carved and has full scope to entertain the audience and also to give a message. His comic timing is excellent.

Kamalinee Mukherji’s role is not very lengthy. She is in the first half for about 158 minutes and then in the second half for 20 minutes. But her role is a need to the movie and also plays a pivotal role in making the audience glued to their seats. She exposes averagely. But truly speaking, she has finally changed a lot. Her beauty, her curves from top to bottom are ravishing and will make the male fans of her drooling over her in their sleep. She is now a full fledged heroine with good dancing skills and expressions.

On the whole the film is quite interesting and will entertain the audience very well. Though it seems to be a message oriented in the end, it has been said in a novel and agreeable way. Full credit goes to the director who made this film with small, but good actors.

The film is definitely worth watching and will give your every rupee back with its full entertainment. It is a family entertainment movie.

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Summer Hindi Movie Online



Though the movie titled as 'Summer 2007' doesn't directly connect with the plot of the story, but we presume that the director has in view the summer vacation of students during this period. So, he tries to utilize the student vacation period for a social cause. It's usual that the student community moves out of its campus/ hostel during the vacation and their principals directors assign them internship pertaining to their subject of study.

Yes, the summer of 2008 has already commenced but the director may have begun making this film last year, so he has titled it as 'Summer of 2007'. Besides, Mumbai rains are harsh and long enough and prompt everyone to move out of the town during this season. Hence, the director has chosen this season for weaving his story around this time of the year. Anyway, the debut director along with his producer deserves our thanks for choosing a noble story for filming!

The film moves around a group of five medical college students comprising Rahul aka Butter (Sikandar Kher), the group-leader, Qateel aka Kats (Arjan Bajwa) as the Casanova and Bagani aka Bugs (Alekh Sangal) in the form of a despot dude and the munificent Mother T aka Vishaka played by Gul Panag. Incidentally, Sikander had a failed relationship with Priyanka aka Pepsi played by Uvika Chowdhary.

As usual, the college youths plan a vacation to Goa though officially they are assigned to work as interns in a village hospital in Maharashtra. The village is notorious for farmer suicides. The students aren't aware of it until the village doctor Mukya played by Ashutosh Rana brings the piteous plight of the poverty-struck people to them.

Thus, Suhail Tatari has proved his directorial credentials in his first movie itself. First, he chooses a nice plot and then an equally competent cast. Undoubtedly, Ashutosh Rana has performed excellently well, and Sikander Kher has shown his maturity in the craft even during his short filmi span. Prosshant Narayanan has done well, too, in his role. Gul Panag, Arjan and Uvika have also fared well. Alekh's quest to lose his virginity has been annoying the audience.

Other strengths of the movie are a score by AR Rahman. Though the movie isn't a high profile one, but it has succeeded in its task of infotainment.

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Anthiponvetam Malayalam Movie Online




The film is all about two software professionals working at Bangalore with opposing characters, but a bit more caring as friends. Nithin a half Malayalee is a shit-talking, hard-drinking, bar-fighting guy who spends much of his time getting around for nothing. Jeevan, on the other hand, is a little more mature in character, but due to insistence from his home and Nithin, they head towards their ancestral home at picturesque village vattathara, taking a break away from the deadline pressures of a prestigious project.

Once in their home village, they find that Jeevan’s parents are planning to sell their home to a Zenguera incorporates who are planning to buy the whole of the village to develop it into a global tourism venue. A few in the village like the Kurup master, an young lady Vanitha and co are fiercely resisting Zenguaera who is buying each pieces of land to develop into plots for medical college, Ayurveda centre and cultural village. The plot follows how Nithin and Jeevan reschedule their plans to remain in the village to lead the fight against the incoming land mafia. And more in the line up is a short triangular love and associated fumes that come against the friendship act.

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Kalaipani Tamil Movie Online




Review - Kaalaipani

Star-casts: Jay Jay, Vasundhara, Nasser, Sathish, K.A. Nethaji Balu, Gokul, Action Prakash, Lollusaba Swami Nathan, Balaji, Kavitha Balaji, Ponmaaran and many others.
Production: . Nethaji Balu, B. Vijayalakshmi and A.B. Pulithevan Sethupathi
Story, screenplay, dialogues and direction: Rajesh Selva
Music: Satish Ramalingam

Kollywood must feel proud of good directors making their best and bold attempts, thus bringing new themes on the screen. In particular, Director Rajesh Selva, the young cool debutant has his best delivered with a murder mystery. Perhaps, Kaalaipani makes us feel that are we watching a suspense thriller with partial traces of Hollywood.

The film is about Samvedha (Vasundhara) and her father (Nasser) who shares a good relationship and embodiment of excellent father-daughter relationship. More witting as a responsible individual, Samvedha weaves her time splitting up with her father and close friends. Apart from this, the good hearted missy gets involved in social service activities of an orphanage. More concerned with the good services at this orphanage home, she develops a love for an young man on the way.

But sooner, her father possessive of daughter starts intervening in all her activities that Samvedha carries with her friends. Bits and pinch of fights lead out to a great conflict and it is when she steps out the house. Things don’t end here, but a great perplexed situation after few days when cops find a buried body of a woman. With Nasser already been launched a complaint of his daughter missing. When called for the identification of body, his answer goes yes and that’s because of the dress he finds on the corpses…

Now starts the investigation of who the mysterious murderer is? What was the intention of getting her killed and is there anything behind individual involvement in this murder forms the crux of the story?=2 0Well, more than answering this, a great stunning spine chilling climax has something more than this….

Samvedhai in supporting role with the debut film Vattaram had gained the attention of entire tinsel town and she continues to put on the same effort and piece of work with this flick. Her performance goes well in both the scenes of father-daughter encounters and in times of romance. The next performer on the screen who strikes with appealing and naturalistic approach is Nasser. We needn’t describe on his part of acting.

Apart from this, the others Jay Jay, Sathish, K.A. Nethaji Balu, Gokul, Action Prakash, Lollusaba Swami Nathan, Balaji, Kavitha Balaji, Ponmaaran have breathed lives on the characters they have played… Director Rajesh Selva has very well applied his paper works on the screen and that’s so nice for Kollywood to have a new director like him. Whatever may be the flaws he has made, he has to be well for a different theme brought amidst of many directors who are coming up with irritating masala movies.

Bottom - Line: New of its genre

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Tuesday, June 24, 2008

Valluvan Vasaki Tamil Movie Online




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Sunday, June 22, 2008

Cycle Malayalam Movie Online




Johny Antony's Cycle has on more occasions than one, a flat tyre. And yet, this is one ride that is tremendous fun. Massively powered with real roaring engines, this two-wheeler whizzes ahead faster than a Porsche.

Roy (Vineeth Sreenivasan) and Sanju (Vinu Anand) have to make do with their very modest salaries from their very menial jobs at the City Centre. The best-buddies turn partners-in-crime when a late night New Year bash land them in an awful muddle. A bag full of loot, half a town after them in hot chase, and two pretty lasses Annie (Bhama) and Meenakshi (Sandhya) in love; things couldn't get any better or worse for the boys-next-door.

Cycle has an air of freshness all about it. There is definitely a vibrant feel to the happenings that brings about an irresistible charm to the whole film. James Albert pens a script that's not even a patch on his former work, but still manages to hold it all together, just enough to create yet another hit. The early gags are especially delightful, and the pressure build-up truly electrifying. The Cycle as a metaphor of tranquility and mental bliss works incredibly well, and so does the refrain of the deafening airplanes every now and then, suggestive of constant dread and panic.

Cycle would be tremendously more enjoyable, if you showed that defiant sense of logic tugging at your back, the exit door. Here is a film that makes no pretensions with regard to its sole purpose - that of simple and quite straightforward entertainment. This might be a reason why eyebrows shouldn't be raised, even as a whole lot of ridiculous coincidences make their appearance in the jumble.

Vineeth is a faithful replica of his father; almost every little bit, down to the constantly apprehensive Sreeni grin has been left in tact, and his debut performance is sure to turn quite a few heads. He has an immense comic timing and is equally at ease in the mushy and sentimental scenes. Vinu Mohan confidently underplays his part, which effectively contributes to his assured act. He sheds off that air of innocence and lurks around assertively, while letting Vineeth play to the galleries. The girls are evenly efficient, and yet I would hand it over to Sandhya for the amazing unfussiness in her portrayal, even as Bhama struggles with a faint amateurishness at places.

Shot on exotic locales in Singapore and Bombay, Cycle looks fabulous. Shaji has worked wonders behind the camera, and Bijibal cooks up a gripping background score that's a roller coaster ride on its own. The BGM clearly overrides the film's music by Mejo Joseph though there's an odd tune that does stand out among the three songs.

If you are one of those, who would watch a Harry Potter film, and wonder aloud with a smirk, as to how all the toads turned into tulips, I would advise you to stay home, safe with the cricket. On the other hand, if you could send rationality packing up the hills and throw caution to the winds, all ready to have the time of your life, go and have a joyride on the fun-tabulous Cycle!



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De Taali Hindi Movie Online




Of course, the theme of friends having fun together is hardly new or “different”. But if the gags are intentionally funny, fresh or presented with freshness, devoid of toilet humor, and fairly non-adult, I’m in.

Doesn’t mean that De Taali doesn’t have such quips or has a water-tight script. Hardly! Its just that there are “other” really funny situations and jokes too. Also, at most times, the humor is situation driven rather than a situation being forced in to accommodate the lines. Another round of applause for the writer because he actually made the girls relevant and funny in the comedy genre. If only they could have sewn it together into a coherent plot.

Anyway, the thing about laughing out loud and so hard-n-long that the neighbor gives you a long stare is that you begin to let go your requirements of “good cinema”. First you suspend your disbelief, then you put your brain to the proverbial rest for a couple of hours, then you give in.

Give in to the silliness of it all. Give in to the eccentric side characters and their comic relief sub-plots. It doesn’t happen to me too often, but when it does even a couple of those hearty laughs make the movie worth it. However the completely haywire last half hour and the abrupt, casual and ridiculous climax is absolutely unforgivable. Also references to a particular support group are in bad taste and don’t go with the otherwise sensitive tone of the movie.

Ritesh Deshmukh who plays a-new-plan-a-minute Paresh Gurudev is as good with his comic timing as ever. He actually looks slimmer and sleeker than Ayesha Takia playing the loving, caring Amrita. But being on the “chubby” side with almost constantly braided hair makes her character more adorable, more girl-next-door, more “identifiable with” type. Its nice to see a female lead not oozing her sexuality on us.

Aftab Shivdasani is a pleasant surprise. He is the affluent Abhishek who falls in true love with every other girl he meets. The man actually has the potential to make you smile! In order to bring out contrast between Amrita and Kartika’s mysterious character, Rimi Sen is given a tanned, sexy look. She is a revelation too. It is amazing how the women in De Taali show that all they need is a reasonably well written character.

I actually liked the fact that we were not entertained to a whole lot of back-story of all the characters. Only that much was revealed about their background as was necessary to move the plot forward. But, this has its own drawbacks. Whenever a particular plot point is disclosed, your mind travels back to when the relevant piece of information was told to you first, and in a way you feel manipulated.

I know, it sounds like I’m asking for just the right amount of information that “I” want. But doesn’t the art lie in making the movie so engaging that these thoughts do not come to my mind while I’m watching it? Overall though, I enjoyed being with the here-and-now of the characters. Especially considering that a possible alternative would be a voiceover reading out each character’s resume to acquaint us with them.

Yet, I’m sure the movie could’ve been liked by many more if it had been a good 30 minutes shorter. And though the foot-tapping numbers have decent lyrics and are set to some cool choreography, they are still out of place. Any day, I would prefer fewer songs to a 2 hour+ movie.

Parental Guidance:

* Violence: A slap here, a punch there. Nothing that would keep me from taking my 4 year old.
* Sexual content: One song with the lady seducing the man. A couple of songs in a bar with skimpily clad women.
* Concept: Its about friendship and how they reach out for one another. But, it all revolves around the love life of one of the characters.
* General Look and Feel: It’s a cheerful, keep-up-your-spirits kind-of a movie. Even the saddest, most emotional moments are laced with humor. But, the humor is not necessarily the kind that a child below 10 would get.

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Haal-e-Dil hindi Movie Online



The launch film for Amitha Pathak but who Amita Pathak ? Well daughter of Producer Kamar Mangat. Apart of Amita, there are two other debutants ie. Nukul and Adhyayan. So basically launching 3 new faces to the Indian Cinema but what is this ? I guess bad luck for these new faces that this movie turned out to be real pain in....

Seems the director and writer Anil Devgan tried to take something good from many movies and put them all together which instead of making a delicious drama, turned out to be Sour. Clearly you can see seen and plots taken from few hits and the author / director did not even try to manipulate those scenes so that no one can guess if its a complete rip off from Movie like DDLG and even Jab we met etc.

In short, movie is about three people ie. Sanjana (Amita), Rohit (Adhyayan) and Shekhar (Nukul), while Sanjana in Deep love with Rohit, on the other hand, Shekhar fell in love with Sanjana on a train journey, they moved away but both had each other in the thoughts.

So among boys, Shekhar is kinda flirt whereas Rohit is so committed to his thoughts. So there a love triangle but with bad presentation and in the end you says.. aah.. good finally its over and you come as dumb from the theatre that why the hell I decided for this movie !

Amita, she looks little aged in this role while other two boys clearly looks novice. There is no remarkable performance however, director got confused to hell and he came up with Bure haal movie.

Guest appearance of Ajay Devgan and Kajol did not help either and screenplay clearly seems wandering here and there. Music part of the movie is just bearable else, I am still looking to give a reason to watch movie for.

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Veedu Mamoolodu Kadu Telugu Movie Online



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Swagatham Telugu Movie Online



Cast: Jagapathi Babu, Bhumika Chawla, Anushka, Arjun, Sudha, Rajesh, Sunil, Benarjee and others
Screenplay: Gopi Mohan
Music: R P Patnaik
Cinematography: Ramesh
Produced by: Aditya Ram
Story, screenplay and directed by: Dasaradh
Release Date: Jan 25, 2008
CBFC Rating: U

What's it about

KK (Jagapathi Babu) is a businessman and lands in USA along with his daughter. Shailu (Anushka) is a youngster who leads passive life with mounting financial problems and taking care of her mother and her sister's son. KK moves into her neighborhood and he infuses 'hope' in her and changes her attitude towards the life. She slowly then falls in love with him. When she proposes to him, KK reveals his past - about his married life with Vidya (Bhumika) and the reason for his coming to USA.

Analysis

Director Dasaradh is one of the sensible directors in Tollywood. He proved his mettle with Santosham. But his latest offering, Swagatham, fails to impress. He tries to do the same trick that he did in his maiden venture. Copying the basic plot from Hindi blockbuster Kal Ho Naa Ho, Dasaradh presents same age-old 'one-guy-two-women' drama with loads of sentiment. He attempts to capitalize Jagapathi Babu's image of 'iddaru muddugummala murari' but doesn't bring novelty on to the screen.

The problem with the film lies in its treatment. When the story is not good or oft-repeated one, narration should be engrossing and brimming with energy. Also these kind of stories require superb music and rich production values to elevate the mood. But the work of music director RP Patnaik and cameraman Ramesh is less said the better. RP has failed in giving lilting tunes also his background score is nothing to rave about. While the first half is KHNH, the post interval drama resembles to that of Jagapathi Babu starrer Mavi Chiguru.

The script and screenplay has many pot holes. Entire first half is very passive.

Performances


Jagapathi Babu does the same role that he has been doing for years though he looks handsome and much younger. Bhumika gives one of her career best performances. Her chemistry with Jagapathi Babu looks fantastic. Their romantic episodes are the best part of the film. Anushka looks sexy but nothing much to talk about her acting. Arjun in a guest role is okay. Comedy is adequate. Allari Ravi Babu does the role of Homosexual and his jokes about 'map' and Bang-'Cock' are in bad taste.

Technically the film is too weak. None of the technicians' job is worth mentioning. Dasardh shows his mark and creativity in Jagapathi Babu and Bhumika's episode but he seems to have stuck at Santosham.

Bottom-line
Swagatham is mix of Kal Ho Na Ho and Mavi Chiguru. It is loaded with sentiment and fails to impress. Although the second half is okay, it finally turns out to be typical Jagapathi Babu's film - a 'man and two women' drama. Its success purely lies on how well the women audiences accept it?

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100 Kotlu Telugu Movie Online



Cast: Baladitya, Sairabhanu, Supestar Krishna, Brahmanandam, AVS, Kondavalasa, Monto, Asok Kumar and others
Music: Vandemataram Srinivas
Producer: YK Rao
Story, screenplay and directed by: Marshall Ramana
Release Date: Jan 25, 2008

About the film

100 Kotlu (Means 100 Crores) is debut movie of stunt master Marshall Ramana. Superstar Krishna playing the same Cowboy role that he originally played in Mosagallaki Mosagadu is advertised as the main attraction. But the film primarily focuses on the lead pair Baladitya and Saira Bhanu and other actors than Krishna. It is a cliched movie.

Plot synopsis

A mafia guy (Ashok Kumar) plans to send money and gold worth of Rs. 100 Crores to his boss based in Dubai. But the booty misses from his hands and lands up in the lap of Bharath (Baladitya), an SI-aspirant.

He wants to handover the money to government but no one trusts his claim. The rest of the film is how hands over the money to Government with the help of an investigating officer (Krishna) and Bhanu (Sairabhanu), a college student and daughter of a corrupt cop.

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Nee Sukhame Ne Korukunna Telugu Movie Online



Giribabu had earlier produced and directed several hit films including Devatalara Deevinchandi, Simha Garjana, Merupu Dadi and Muddu Muchata. After a long time, he chose to wield the megaphone under his own banner. However, he could not change his style of direction and continued it in the old fashion. Though the film could be categorised as a love and family entertainer, it is doubtful how far it can attract the family crowds.

Madhu (Raja) hails from a poor family, but is a sports champion of the college. Besides, he is very good at studies. Swapna (Sneha) is the daughter of a millionaire Sarvabhouma Rao (Kota Srinivasa Rao). She is also good at studies and other extra-curricular activities. However, she is a down-to-earth girl and always wants to be very simple. She goes to the college in bus and doesn't want to use even a car. Sekhar (Chakravarthy) is their classmate. Sekhar loses his heart to Swapna. Ramya is also their classmate and is the best friend of Swapna. Once, Madhu saves a girl called Shanti when Swapna's brother (Raghubabu) tries to tease her. So, he bores grudge against Madhu. Though Sekhar loves Swapna, she gives her heart to Madhu and Sekhar silently moves away from them. When Madhu goes to Swapna's birthday party, he gets thrashed by her brother. So, Madhu decides to keep off from her for some time and goes to Hyderabad as he gets a job there. However, Madhu promises Swapna that he would marry her by convincing her parents and brother after some time. Ramya, who also stays in Hyderabad after her marriage, mistakes Madhu, as he moves close with Shanti, the daughter of the house owner. Moreover, one of Shanti's colleagues (Navabharat Balaji), who loves her, resorts to malicious campaign against Madhu and Shanti. This strengthens the doubts of Ramya and unfortunately Swapna goes to Hyderabad and she too mistakes the friendship of Madhu and Shanti. Swapna agrees to marry anybody as she feels that she has been ditched by Madhu. Incidentally, Sekhar happened to be the son of Sarvabhouma Rao's childhood friend (Narra Venkateswara Rao) and the elders fix their marriage. However, Sekhar too tries to convince Swapna that Madhu is a gentleman but fails in his effort. When Madhu meets Swapna, she chides him and terms him as a cheat. Just before the marriage, Sekhar dies in an accident. At this juncture, Shanti, who is the niece of Sekhar's father, visits him to console and she happens to see Swapna. She reveals the truth that her love is one-sided and Madhu really loves her and she is still in his thoughts. Swapna realises her mistake and finally the story ends with a happy note with the union of Swapna and Madhu.

PLUS: Sneha is quite homely and has sported a family girl's role in the film. She is in her usual best like her earlier flicks. Raja is okay as a gentleman and he got a choice to do some action scenes in this film, which could earn him a mass image. Raghubabu's villainy is good and he excelled in his histrionics. Brahmanandam has played dual roles in the film and he has elated the audiences with his comedy in the first half. Picturisation of songs is good and all the songs are completely based on melody. Camera work by Suresh is also adequate.

MINUS: The major minus point in the film is the very old fashioned direction. It is quite surprising that the director interlinked several characters with each other. The villainy of Raghubabu was also not properly established. Though he appears in a few scenes, the director should have concentrated more to portray his villainy through some more scenes. While Brahmanandam appears as a college student with a character called CM (College Muduru), he suddenly appears as a married man in the second half and as a jobless fellow. Clarity is missing in his character. Absence of mass elements is another major draw back.

REMARKS: The comedy scenes involving Brahmanandam and Kovai Sarala in the second half reminds the audiences of an old classic, where Relangi and Girija played a similar comedy track. It is almost a repeat. Unless there is wide publicity in general and mouth publicity in particular, the film may not attract even the family audiences. At a time, when the film industry is buzzing with mass and action flicks, the success of a soft family entertainer is really doubtful.

Cast: Raja, Sneha, Kota Srinivasa Rao, Raghubabu, Brahmanandam, MS Narayana, LB Sriram, Kondavalasa Lakshmana Rao, Chakravarthi, Uttej, Navabharat Balaji, Ranganath, Narra Venkateswara Rao, Kota Shankara Rao, Hema, Kovai Sarala, Annapurna, Jayalalithaa, Sakhi.

Credits: Camera – Suresh, Music – Madhavapeddi Suresh, Lyrics – Vennelakanti, Presents – Chappidi Hanumantha Rao, Co-producer – 3K Entertainments, Story, screenplay, direction and production – Giribabu.

Banner: Ranabheri Productions

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